queenslayerbee: Isabelle Adjany as Lucy Harker in 1979's "Nosferatu the Vampire". She's surrounded by darkness, looking over her shoulder while she wears a white nightgown and a cross as a necklace. A hand with long nails like a claw is reaching for her neck from the darkness behind her. (lucy harker (nosferatu the vampire))
My last fanfic of 2020 was a one-shot where I explored the possibility of Kendra living in Buffy the Vampire Slayer, getting turned by Drusilla instead of killed (so no worries, Faith would be around the corner lol, even if this story doesn't get that far).

Title: Beware of Greeks bearing gifts.
Fandom: Buffy the Vampire Slayer.
Character/Pairing: Kendra Young.
Rating/Warnings: M, canon-typical violence.
Summary: Kendra's first death lasts a little longer than five minutes. And a demon takes the ride back with her.
Word count: 3.3k.

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Death was cold and lonely. Kendra would pat herself on the back for getting that one right.

The cold of the metal box on her back and of the thin sheet on her front bit at her naked flesh, and the autopsy room's temperature was set several degrees below anything Kendra had experienced; but it had nothing on the chill within, the ice burrowed deep in her veins and in her bones.

And she felt sick, sicker than she ever had in a lifetime without so much as a fever. Nauseated, as if something was trying to painstakingly claw its way up from the pit of her stomach while she put her best efforts in keeping it down. It felt wrong beyond the sickness; if Kendra knew something it was vampires, fresh-out-of-the-tomb vampires, and they never gave her any indication that they were all but itching for a fight, let alone about to spill out their guts on her shoes.

The darkness around her was all-encompassing and claustrophobic, making matters much worse. Without a hint of the foresight and preparation she always prided herself on, she pushed her way out and the door of her metal cage fell to the floor with a loud clang.

It was much, much later when Kendra thought of how lucky she was that no one had been in the building, as she stumbled gracelessly through the room until she found some clothes —her own, fortunately, still encased in a plastic bag. She trembled and the floor wasn't as easy to navigate straight as it should have been, but she felt a ghost of comfort when she wrapped herself up in her leather jacket. She could remember the last moments of her life with a clarity and vivacity of color that didn't belong to such a moment, entranced as she had been. Her brain should have trouble recalling those fogged, clouded memories from the depths of her mind; instead, it replayed Drusilla's crazed smile, the way she'd pushed two bloodied fingers on Kendra's tongue, the pump of her own blood raising upward and into Drusilla's fangs. Each little detail came to her over and over, in every tone of red —her blood, Drusilla's blood, Drusilla's clothes.

It was even later when Kendra wondered why no one had been there, where the hell her Watcher was. Why no one thought ahead and did what needed to be done and just cut off her corpse's head before it was too late.

Now it was too late.


Kendra kept stumbling across deserted streets with the newly innate knowledge that the sun would come out to get her soon. She would want it to take her, if she had all her faculties intact —a roundabout way of saying a filthy demon had made a house of her body and fought her at every step for control they'd inevitably win; that she'd lost her soul and everything that made her truly her, the essence of her being. Part of her still did wish to die, still at the very least thought of letting it happen. But a survival instinct she had never possessed before pushed through until she found an empty crypt to hide in.

She raised her hand to her face to touch the bumps on her forehead, the tips of her fangs. How happy she was, that even if she found a mirror it would not show her the horror she had become.

On the floor she hugged her knees against her chest and breathed in, out; counting, meditating through the nausea until she fell asleep. And then she appeared in her dream, for the first time of many.

Kendra wore the softest, prettiest dress she never had: white cloth covered in multicolored flowers, childish and bright and joyful. She sat on the floor playing with a little grey dog, petting it and dotting on it; she felt Drusilla's knees digging against her lower back while she gently brushed her hair, echoing a memory long buried within her. She could faintly hear murmured platitudes, but couldn't parse their content until her sire said, in a sing-song tone, "Slayer no more."

Kendra's hand snapped the little dog's neck. "You stop being a Slayer when you die. I'm not all the way dead; just most of it." Would she feel such clarity awake?

"There is only one Slayer, my baby." Drusilla stopped brushing her hair. Her sire's arms surrounded her body and pressed Kendra's back against her breasts, as her long, long fingers interlaced over Kendra's lower abdomen. Cold lips pressed against the side of her forehead before she startled awake when she heard, "What are you going to do about that?"

Buffy was the Slayer. She could finish this. She could do what had to be done.

It was with that idea in mind, one she wasn't all that sure she could follow until the end, that she stalked her way through town the following night until she could spy hidden in the bushes next to Buffy's house, peeking like a predator by the window. It unsettled her, how natural this came to her; probably more than it did to the majority of the vampires she once hunted.

Buffy was nowhere in sight; an older woman sat alone on the dining table, her eyes lost ahead of her for one eternal second before she seemed to collapse, her edges folding on themselves, and pressed the palm of her hand against her mouth to rein in silent sobs.

Had Angelus killed her? Had Kendra as a Slayer been of so little help? The only indication it hadn't gone that far —other than the world as it was still standing around her, as far as she could see— was that the mother of someone like Buffy wouldn't just be quietly crying in her dining room; she'd be beyond devastation, beyond grief, and beyond tears.

It would be so easy to lure her out. She could make do with the promise of Buffy and sink her teeth in when she was just one step out the door and then let her body fall on the ground like a broken doll for her daughter to find on her return. Or if she could control the violent hunger roaring in her guts she could worm her way in just as easily, to drag it out, play pretend; let her curiosity roam free and have a taste of what it could have been living in a house like this, with a mother like this, with a life like this.

Kendra's stomach turned once more before she vomited a gross-smelling deep yellow paste on the grass. She ran back to the crypt, which for all she knew could be a different one altogether, and decided that if she was too cowardly to let the sun do it quickly, and Buffy wasn't around to do it for her, passively lying in wait of a slow starvation would have to be the way.


But her will wasn't just hers anymore, and it failed her. She'd like to say it was the recurrent dreams with Drusilla, all of which took a scene of out the most clichéd, televised view of childhood and gave it a sick twist or two along the way; she couldn't even be sure they were dreams. Was Drusilla really reaching out to her? Was that something sires could do? Or was it the form her demon took to try and push her over the edge? In the dreams, Drusilla would tell her to let go, don't you want to stop being so tightly wounded, don't you want to feel the blood sing to you when it touches your lips? Don't you want to please me, my baby?

But as she said, it wasn't the dreams. Kendra, simply, lost to the hunger.

She had told herself she wasn't on a hunt. She just needed the fresh air, because it'd been days and she wasn't feeling any better. In truth, Kendra thought all a mere human had to do to fence her off was slightly push her off them and she'd stumble to the floor.

Stumbling turned out to be just as good as strength in the end. Kendra had all but collapsed near an alley when she heard heels rushing to her side to help and a sweet, high-pitched voice rambled at her non-stop ("oh my god are you okay?? Somebody help! I'm gonna call an ambulance, okay? It'll be here soon, I'll wait with you, it'll all be okay okayokayokayokay"). Kendra looked up at the girl: intensely light blond curls, thick eyelashes, a white dress and a jean jacket, long legs bent when she knelt down next to her. There was a warmth about her, like a glimmer of sunlight had chosen to grace Kendra that night, and she couldn't resist it anymore. A murmured apology and straight for the neck she went.

Kendra had underestimated her own strength, because the few fumbling attempts to get her off the girl while Kendra pressed her body flush against hers and drankdrankdrank didn't move her an inch. The girl hadn't even screamed; she'd given a high-pitched whine that turned into a low-pitched one and then nothing, just breathy, barely twitching in bliss underneath Kendra's body while she took for herself that warmth she'd sensed on her. And dammit, but Drusilla had told the truth, and the blood sang to her.

Noises of a door opening and closing and laughs nearby dragged her back to the present, and the horror and nausea hit her on the chest. The girl was still breathing, just barely, and her long eyelashes fluttered over her pale skin.

"I'm sorry. I'm so sorry." It was all that Kendra could say. She stood up and screamed for help before running away. Whoever they were, they would find the girl, and they would help her, and that would be a line she still hadn't crossed.


Kendra didn't want to live like a demon, but she couldn't let herself die either. The third option hadn't worked that well before, but it was what she had and she chose to cling to it with desperation.

The next night she stood outside the pub she'd heard Buffy mention until she located her friends, and she followed the redhead all the way to her house. Willow, she had finally managed to remember, just when she was separated from the rest of the pack.

She had chosen to wait until Willow crossed the safety of her own threshold before approaching her, to make her see she could be trusted and to keep herself in check.

Willow's eyes widened in horror and in pity. "Oh. You're a... Oh."

"Don't invite me in. Never invite me in," Kendra rushed to say, because she realized she'd spent at least five seconds staring at the girl's long neck; "I need you to curse me, like Angelus. Please."

The shock was written all over her face, accompanied by yet more pity. "But that... that didn't work, Kendra."

"I attacked a girl, I almost killed her. This is the only chance I got. Please," she repeated.

"Okay. Wait... wait here. I'll call Giles and... just wait here?"

And wait she did. They all came, not just Giles, brandishing crosses and stakes —weapons like the ones she'd once treasured that now made her skin itch all over. She knelt down on the ground and put her hands behind her back, as non-threatening as possible so that Giles could put her arms in chains, and then her ankles. He did it with just a hint of the wariness the others carried in their eyes, and had for her a few words of comfort that meant the world to Kendra.

They took her to the Watcher's base, where she gathered the nerve to ask after Buffy.

"We don't know." Giles sounded utterly defeated when he answered. "She must have defeated Angelus, and there were other... issues... She left. I'm afraid we don't know much more."

Kendra swallowed. "And the girl I...?"

Everyone but Giles, who spoke with a voice of infinite compassion, studiously avoided her gaze. "She was taken to the hospital, but they couldn't help her. I'm truly sorry."

She was sick all over again, and she felt tears pour from her eyes and a sob get stuck on her throat. She could tell she was making a spectacle of herself and it disturbed the others, but she didn't much care for their comfort. She didn't much care for the girl, either; Kendra didn't have it in her, at least not yet. These tears were wholly selfish, about her and only her, and the line she'd stepped over. Maybe she should've drained her until the last drop to sate her hunger, like she herself had been, if this was how it was going to end.

"What happens if the spell fails, again?" asked the brunette girl, brusquely.

"Then you do what has to be done," she forced out. Kendra could tell that answer didn't make them less uncomfortable either.

They told her they had the supplies they needed, between what Willow brought with her and what Giles had in store, but they made her wait in a different room. She laid in that bed trying to quieten their voices, though some of it made it past the door. The other girl, the brunette, thought they were making a mistake; that Kendra had already killed once and any of them could be next. Kendra gained a newfound respect for her, and vowed to learn her name if she survived the night. She could hear one of the boys express concern for Willow, and she gathered that Willow and Giles were determined to go through with it. Kendra didn't fool herself into thinking it was all about her; a desire to prove herself on Willow's part, and the complications of Buffy's absence on Giles's were what she should be grateful for.

Drusilla's fingers and Drusilla's voice danced at the edge of her conscience berating Kendra for her choice. Domesticated, she said. Defanged, declawed. They'll keep you as a pet, my baby. Petpetpet.

While Drusilla taunted her the scale had apparently tipped in her favor. The spell turned out to be far simpler than she'd expected, but the power in the room was palpable, a magnetic force stemming from Willow's form and pouring from her fingers, her voice, her eyes.

Said force became a wave and it was poured into Kendra, overflowing her from within. She thought she fell unconscious for a few seconds, but she couldn't be sure of anything beyond a contained confusion when she opened her eyes. The change was immediate: the nausea was gone, as if the return of her soul had calmed down the beast inside her and it now just laid in wait.

"Did... did it work?" Willow asked.

"It worked," she whispered. The tears on her eyes were part joy, for herself, and part sorrow, for the girl she killed. Humans, she'd been taught, were the civilians she was tasked to protect in her war against all evil, and she had torn through the one compassionate enough to come to her aid. It wasn't a debt that could be repaid, but she was overcome with a desire to try. At once, she didn't want to learn more about her that would make her feel worse, but she felt a duty to do so; to find out who Kendra had robbed the world of in her thirst; to pour salt into her own wound and to try her hardest to find a way to lessen the burdens she'd had a hand in creating.

Ignorant of her inner tumult, Willow leaped in joy and enveloped Kendra in a tight hug. "It worked!"

Kendra awkwardly patted her on the back. "Soul or not, I'm still a newborn vampire. It's not a good idea to put a tasty neck so close to my teeth."

"Sorry. Didn't mean to tease." Willow let her go with an apologetic smile, before jumping excitedly again. "But it worked! We should celebrate."

"I think it's a little early for me," Kendra said, pointing to the window. The first sunlight of the day could be seen from it.

"Tonight, at the Bronze?"

"It might be better if I avoid crowds for a while."

"Okay. Then tonight we all come here and play board games. That's non-negotiable!"

"By all means," Giles said, cleaning his glasses, "invite yourselves into my home."

"Thank you, Giles, that's very generous of you," the short boy said.

She squeezed Kendra's arm, like she just couldn't stop herself from touching her. "Okay, we're leaving, but I will be back before school with animal blood for you, so don't worry."

The others said their goodbyes —a few even more awkward pats from the boys, a sarcastic "all is well that ends well, I supposed" from Cordelia, whose name Willow finally mentioned when she admonished her for it—, and she was left with Giles to wistfully stare after them, at the glimmer of sunlight they let enter the door on their way out.

Soul or not, the transformation had happened, and Kendra knew she would never be the same. The world shifted dramatically —sounds, colors, tact, all of it. Death was a different plane of existence and she would never get the previous one back.

Kendra thought she would miss the sun most of all. She wasn’t an indulgent person by nature —or possibly she would have been, had that chance presented itself—; sunbathing had never been a priority. If anything, she’d learned to be about as nocturnal as her prey; now she would at most be able to hang out by a long shadow when the sun was low, and thinking that she allowed the bitter resentment she had forced down for years to grow. Bitterness about how she never simply lied down on the ground, maybe on the grass near a swimming pool, and sucked in every ray of light until her skin burned to the touch.

She had thought she knew death intimately; it was a possibility waiting for her nearby behind every sunset, and she thought she had made her peace with that. But nobody had prepared her for this, for how she’d feel after… after. For the hunger, for the internal battle constantly warring inside her, for her newfound power; for Drusilla’s visits in her dreams, where she cradled Kendra in her arms like a toddler and fed her from her chest, and told her that everything would be fine because she was there to guide her through it. It was unsettling, how the comfort of those words persisted for those few seconds of stupor after she woke up.

She decided to press pause on the melancholy and self-pity and looked back at Giles, her remaining companion. He sad on the couch and he'd been staring in the distance, with the same look Buffy's mother wore, but he braved a smile for her. However, the thought of Buffy put her on edge.

"Do you think it worked too, with Angel? That Buffy had to..." It was too horrifying a sentence to complete. Buffy would have. Just like Kendra, she understood when duty came first. It wouldn't make it any less painful, any less unnatural for Buffy to see herself pushed into such an act against someone she'd loved so deeply.

Giles wouldn't have looked more pained if Kendra had pushed her hand into his ribcage and twisted. It had been ungenerous of her to give voice to that fear, one he'd surely imagined before.

"I don't know."

No, things could never return to their previous state. Not her, not Buffy, not that sweet blonde girl, not anybody affected by the events Angelus had set in motion that day. All she could do was to put her hand on Giles' shoulder, in an attempt to be the comforter as well as the one comforted.

"I will help you." I will help you with patrols. I will help you find Buffy. I will help you, plain and simple.

Giles reached back and clasped her hand in an almost painful grip.



Posted by Kirk McElhearn

Audiobooks are increasingly popular, and authors may be tempted to narrate their own books. I asked Simon Vance, one of the foremost audiobook narrators, what authors need to know before getting in front of a microphone.

The audiobook boom

Audiobooks are an increasingly popular way to “read” books. According to the Audio Publishers Association, 38% of Americans listened to at least one audiobook in 2024, and they listened to an average of 6.8 books in the year. Audiobook year-on-year sales are increasing regularly, totaling more than $8 billion worldwide in 2024, and this figure is expected to grow substantially. Amazon’s Audible is the leader in audiobook sales, with about two-thirds of the market, followed by Apple Books, Spotify, and the Google Play Store.

If an author is well-known, it’s increasingly common to see audiobooks narrated by them: the ability to hear the author’s voice is a selling point for many books. Even for lesser-known authors, narration can be a fulfilling way of sharing their books and an additional source of income. (Though it’s worth noting that audiobook narrators generally just get a flat fee up front, unless they self-publish.)

There are two situations where an author will narrate their own audiobook. The first is when a publisher asks them to do so, and this is generally done in a studio with an engineer and all the support that this environment offers. The other is when a self-published author records their own audiobook and sells it through the various self-publishing channels. In this article, we look at the techniques of narrating an audiobook, regardless of how it is later sold. In a future article, we will discuss recording and selling an audiobook on your own.

Narration tips from Simon Vance

Simon Vance is one of the most respected audiobook narrators in the business. Simon has 17 Audie awards (the audiobook equivalent of the Oscar or Emmy), along with countless other accolades, including induction to the Audible Hall of Fame. If you’re a regular audiobook listener, you’ve heard him narrate books like The Girl Who Kicked the Hornet’s Nest by Stieg Larsson, Great Expectations by Charles Dickens, and Cloud Atlas by David Mitchell.

I chatted with Simon about what authors should know about narrating their books. The first thing he said was that audiobook narration is “a marathon, not a sprint,” that you need stamina. You need to be able to maintain your voice over time. For recording alone, you should count two to three hours for each finished hour of a book. There are another two to three hours of editing and mastering after that, though experienced narrators can make that process smoother.

I asked how an author should try to find out if they could narrate an audiobook. He suggested that you should “pull a random book out of your bookcase. Sit down and read out loud for an hour, and then take a break and come back and read out loud for another hour. Then come back and do that again, three hours a day for a week. At the end of the week, do you want to be an audiobook narrator?”

The most challenging aspect of narration is consistency; maintaining the same voice and energy throughout. “I don’t think people coming to audio narration are aware of the focus that is required. Every day you start with a certain kind of voice in the morning, and by the end of the day, you’ve got a different kind of voice. You wake up the next morning, your voice is young again, and by the end of the day, it’s old and slow. So you take that into account. Maybe, when you’re a beginning narrator, don’t do too much.”

Taking breaks is important, and Simon likes books with short chapters. “You should never break in the middle of a chapter and certainly not in the middle of a paragraph. Find the breaks. I always mark my script up. Usually, chapters are fine, and they can be a couple of pages, five pages, or 10 pages. If they’re hour-long chapters, then try and find the breaks within the chapter, because there are going to be times when you need to take a break.”

Simon describes what he does as a narrator as “seeing through the words. I see the words, but I don’t fixate on the words too much. You have to look through them. You take the words as a guide, and you see the play beyond the words.” The audiobook should feel like a discovery, as if the narrator is experiencing the story for the first time alongside the listener.

He pointed out that authors may be better suited for narration if they’ve written a nonfiction book. “If it’s nonfiction and you’re the author, you have a passion for your reading. And that’s going to come through naturally. That’s what people want to hear.”

And remember that what you’re doing is an extension of your book, and is another way to express the story you’ve told. “You’ve written a book that is being published. Somebody has invested in you, so you have the confidence to know this is a good book. You have a story that is going to bring people along.”

Like any new skill, narration takes practice. But it’s important not to overthink things. “To me, the most important thing is being in the moment. And that has to do with the sense of discovery. You’re not anticipating what’s going to happen. Everything is happening in that moment.”

Kirk McElhearn is a writerpodcaster, and photographer. He is the author of Take Control of Scrivener, and host of the podcast Write Now with Scrivener. He also offers one-to-one Scrivener coaching.

delphi: A carton of fresh blueberries. (blueberries)
Fandom 50 #15

1991 was one of the years with several contenders, but I knew I had to get some early Sarah McLachlan in here.

Into the Fire by Sarah McLachlan
cornerofmadness: (Default)
I had a hypoglycemic event last night so of course the correction left me over 300 this morning and for some reason my phone did not go off when I set it. It went off when I was getting up the last two days so I was cranky about getting to the breakfast with barely time to get to the first workshop.

It was an oddly laid out place with workshops all over the damn place (I did not bring my cane. I will bring it tomorrow) My first workshop was moved all the way across campus so I went to the one next door. Not really a topic that interested me that much but I did get some helpful things from it for the syllabus.

Work shop number two was canceled. Boo. I wanted to do the dungeon crawl case study escape room thing. I went to the one next door. This one was interesting, talking about how out dated some of the graphics and concepts we still use are and I was wondering why some of it hasn't been adopted.

The lunch hour was something else. I have been going to these off and one for 16 years and this is the first time the line was insane (I was literally in a different building) They had one table of food and RAN OUT. There is no real excuse for this because they know how many people have registered, not sure who messed up. Luckily more food was cooked up (didn't go with the rest of it mind you). I got my food 10 minutes before the afternoon session started.

That was a case study one by a former doc turned teacher (similar to my story) and...for the first time I used ChatGPT to create the case studies and I was a bit terrified at how fast it did it and relatively accurate too. In talking to a few others I might remove the extended responses from my exams and put in simple case studies (as the nclex for the nurses are all going to those). Also it made me very sad to write this case study as a SOAP note (even though I am relieved I no longer have to write SOAP notes any more, the medical record a doc writes every time they see you).

My last workshop was a bust. No one showed up. I moaned not again. I don't want to sneak into another workshop late again. And my table mates say why bother? Let's just go get on the bus and go home. And so we did. The fun thing was before that we were talking and I mentioned my age (it was relevant to whatever it was we were talking about) and the guy I was with said I would never have guessed that (his partner agreed) why thank you. I don't think I look nearly 60 either.

Also at lunch I brought out my heavy ass laptop because the blaster box for Hazbin Hotel was dropping at noon (10 minutes late as it turns out) it's their new card set and it will sell out. I managed to get it...twice over because I fat fingered my touch screen and it would NOT let me empty it out probably because it sold out in minutes and I'm like fine, I'll buy it because I can either sell it whole or more likely get the cards out and sell them separately. These cards have been selling out in under 5 minutes and people are reselling them for hundreds. I won't do that but I can sell it for easy 10-20 a card if I wanted to. I can recoup this and each one has an ultra rare and rare and other specials. Those I'll keep. Have I mentioned I love cards? I've been collecting them since 1977 with Star Wars (I even have the 70s era Planet of the Apes tv show), I have shit tons of Buffyverse and Fullmetal Alchemist cards. I have the entire Sandman set including chasers (probably worth a lot less now that we know how skeevy Gaiman is)

Dinner was chicken speidini at Garozzo's, yummy but I almost wish I had ordered the other chicken dish (they're credited from turning the traditional beef speidini to chicken) because I didn't like the pasta that came with this. I would have enjoyed the garlic/olive oil one with the other dish. I haven't eaten the tiramisu yet.

I also DID buy my Kansas City Gangster tour ticket for Saturday at 10. All the afternoon ones were sold out but you know what I don't mind. I have been getting up early for days now and once I get that over with I'll have time to do my afternoon stuff. Now to sit down and figure out my tourist days. I know what I want to do Thursday but now for the rest of the weekend.

Have fannish 50 the questions, I'm using Buffy for this

Day 4: Least favourite female character. This was much harder than it should be. I decided I wasn't going to use any one off characters and using Joyce or Dawn felt too easy. I didn't hate them. Joyce made a lot of bad choices that annoyed me and Dawn was...supposed to be younger than who was cast so I don't actually blame the character for being off.


I went with Kendra. She was a poorly drawn character. I liked that they went with the naivete/lack of social awareness because she was never a girl. She was just a weapon to be used until she was killed. That was a nice contrast to Buffy's wild side. Maybe it was that she came off as rather...dumb and that the one character of color on this whole show (other than Giles' girlfriend and Mr. Trick, a villain) was there really to make the white characters look better. It was uncomfortable. She was there to die (so much for the traditional training).

all questions under here )
lucymonster: (troopers)
(When I start posting streams of film reviews all at once, just assume I'm in bed with a virus. That seems to be the way of things at the moment.)

Casablanca (1942): Casablanca, my beloved! I have previously seen and loved chunks of this movie but never, as far as I can remember, watched it the whole way through. It is so good. So utterly charming. Rick is an American expat who runs a popular café/bar in Vichy-controlled Casablanca, Morocco during WWII. After having had his heart broken by his beautiful ex-girlfriend Ilsa, Rick presents himself as a hardened cynic, out for himself and indifferent to the plight of all the refugees pouring through the city in their desperate efforts to escape from wartorn Europe. The act is not especially convincing. He has a long track record of fighting for the antifascist side in recent other wars, and is surrounded by a small core group of friends and employees who have been with him for years and to whom he is clearly unswervingly loyal. Nevertheless, he manages to more or less keep up the pretence until Ilsa unexpectedly shows up in town on the arm of Victor Laszlo, a famous Czech Resistance fighter who is on the run from the Nazis. Rick has it in his power to get Ilsa and Laszlo the visas they need to escape to America. Local Vichy and German leaders are bearing down on him. His own bitter feelings about Ilsa's betrayal tempt him closer to the dark side than any political pressure ever has. But the ending is perfect, and the whole film plays with the tension between political ideals and personal desire in the most touching, human way.

I need to watch a bunch more Humphrey Bogart films. He's just so unbelievably charismatic, and has a knack for turning roles that could be obnoxious into lovable forever favourites.

Violation (2020): Spoilery plot summary )

The only other rape-revenge movies I've seen so far are the I Spit On Your Grave remakes, and this was like their perfect polar opposite. The rapist is a normal dude who has a close established friendship with his victim; the rape is "non-violent" and papered over as a misunderstanding. The film basically took a death-grip hold of that "was it ~really rape, did it ~count as a trauma, is it actually my fault, did I not fight hard enough" feeling so endemic to our rape culture and did not loosen it for even a moment - fucking harrowing stuff, but harrowing in a completely different way than a more graphic, brutal rape scene is harrowing. There's a far heavier focus on the relationships involved than on the act of sexual violence; Miriam's strained bonds with her sister and husband seem as much a part of the trauma as her brother-in-law's betrayal. Most of the screentime is devoted to long, almost painfully intimate scenes of completely mundane human interactions. Miriam's revenge by contrast is almost surreal: she executes a meticulously planned murder and disposes of the body with nauseating thoroughness. Far from catharsis, the murder only seems to traumatise her worse than ever.

The cinematography was exquisite, albeit heavy-handed. I am not film literate enough to know what to properly call this but it felt like the audio-visual equivalent of what in a novel we might call MFA writing: polished to an almost distracting shine, packed full of "elevated" metaphors, reluctant to say anything in a simple character beat that could instead be said through several long minutes of obscure atmospheric shots. Extremely pretty! Very artistic! SO pretentious! There is one quite surprising scene immediately before the murder where we zoom in super close on the rapist's naked erection. I don't think I've ever seen a head-on shot of an erect penis outside of porn. I thought the choice to show that so explicitly was an interesting contrast to the rape scene, which was filmed in this uncomfortably evocative, eroticised but completely non-explicit way: lots of heavy breathing, undulating fabric, grabbing hands, zero other skin on display.

I have loved nonlinear narratives in written fiction and I'm sure there are many ways I'd love them in film; in this case it felt like one abstraction too many, and I had a much better time once I gave up around the one-third mark and looked up a linear plot summary on Wikipedia. I guess in summary I'm not entirely sure what I make of this film, but watching it sure was an Experience.

Trigger warning: politics

May. 27th, 2026 11:35 am[personal profile] mific
mific: (The Pitt)
I don't usually post about politics but I was reading an I fucking Love Australia (blog name) Substack article, and watching the YT video it discusses - a recent TV debate on the UK's Piers Morgan show featuring: "Three economists. Steve Keen, Australian, blunt as a brick to the back of the skull. Stephen Moore, Trump’s old bagman, professional spruiker for whatever the orange wrecking ball is shoving down America’s throat this week. And Professor Jiang Xueqin, the game theorist from Beijing, who showed up to deliver a eulogy for the American century with the polite, almost sympathetic tone of a doctor telling the family it’s time to switch off the machine."

The article's funny (written by Aussies) and chilling, and worth reading if you can stand to peek into The Horrors now and then. It describes and elaborates on the highlights of the televised debate so you don't necessarily need to watch that as well, but both links are below. I'm pretty sure the Substack article is accessible to anyone, whether or not they're subscribed to the blog, but in case it's hard to access here's a copy. Note that there's a glossary of Aussie slang used in the article at the end, for anyone unfamiliar with the terms.

The Piers Morgan show YT vid
The Substack aticle Nobody Wants To Come To America, Mate

Late cycle.

May. 26th, 2026 05:30 pm[personal profile] hannah
hannah: (Dan Rydell - exitmusic__)
When I tell people I struggle to fall asleep and that I've had that problem a while, they never expect me to say it's gone at least as far back as kindergarten - at least, not by the looks on their faces when I tell them. But that's how it's always been. It's both an issue I struggle with and something I struggle to accept, and people not accepting that it takes an immense amount of work or the occasional dosage of drugs to cut it down to what's commonly accepted as typical at the bare minimum.

Case in point: telling my therapist I was tired this morning, and telling her it wasn't unusual. I'd tired myself out yesterday, too, from a decent workout and doing a lot of batch cooking, and it didn't shift anything once the lights were off and the covers were up. I've yet to find a reliable medication to help with this, and I'm not even sure what to ask for, since what I'd really like would be a small supply of several things at once to try them out without having to keep going back and asking again, but I understand most physicians and pharmacies aren't willing to go that route. So I'm just taking it as I take it.

Views of the Water - May

May. 26th, 2026 04:22 pm[personal profile] smallhobbit
smallhobbit: (Gloucestershire Peregrine)
Several pictures of the canal taken over the month:

themis1: Lightning (Default)
Good afternoon! Here we go with the next two chapters:

Chapter three Read more... )

Chapter four Read more... )

Tashkent ladybirds

May. 26th, 2026 03:00 pm[personal profile] pilottttt posting in [community profile] common_nature
pilottttt: (Шмел)

Read more... )

You can find all the photos from the walk during which we found these ladybirds in this Russian-language post.

It’s trying to kill us

May. 26th, 2026 09:29 am[personal profile] shadowhive
shadowhive: (The Child Soup)
So as anyone in the uk can attest, we’ve been hit by a sudden heatwave this weekend, which is so completely and utterly draining (plus it’s making me feel so melty). It shows no sign of leaving which also sucks so I feel this week will be mostly avoiding heat and staying inside (until Friday anyway)

As such the weekend has been mostly uneventful. I had veggie sushi cause we got avocados when we went to town, which is always nice. I watched Blithe Spirit on sky arts which was fun.

Then we watched Look Who’s Boating, a special feature on the Doctor Who boxset which was fun. It saw the fifth doctor, Nyssa and Tegan’s actors go on a boating trip, which was funny. They did a road trip thing on one of the other boxsets and this was basically a successor to that (with added cooking, plus a doctors table type segment at the end) and it was a fun time. In the night I watched the Tales Of The Tardis version of Earthshock which was pretty good. It’s still one of the best fifth doctor eps but poor Adric.

I’m almost finished with the special features now, there’s just an escape room (I watched the other one last night) and an interview with Adric’s actor and I’m done…

Which is good timing cause the new Doctor Who Movie came yesterday. (Though it got delivered next door by mistake.) it’s the 4K steelbook which is very fancy. I dunno why I decided on that I don’t usually bother with steelbook or 4ks but… ah well. I’ll probably watch Saturday.

And speaking of Who I did listen to an audio while I was melting, Time In Office, which was a fun time. And appropriate cause it’s set during a gap in Frontios (it’s funny Tegan’s made Earth Ambassador).

But other than that nothing exciting, though Death Valley and Brokenwood Mysteries are back, both of which are fun times. (Though the latter means iplayering last nights springwatch).

Gaming wise I’ve not done much, just Tomodachi Life (there’s finally a second child), some Fortnite and the pad games (I need to focus more on magic arena, I keep falling behind on it). And dreamlight cause there’s a star path I’m trying to speed finish.

I also started Silverweed Road and this guy in the first story is such a jerk I’m praying on his downfall, which feels inevitable

This morning I did submit the uni postponement thing so hopefully that goes ok. Cause ugh there was no way I could actually do the assignment, not with this heat coming through and my anxiety brain being terrible. Part of me is hoping to hear soon but also… eh my heart hasn’t been in this uni course. Part cause of the noises making my head worse and the medical stuff but also… I dunno.

I digress.

Plans this week are to finish the Who ray stuff (tonight), start going through the blu ray pile (tomorrow), welcome to Derry (Thursday, depending), Doctor Who Movie watch (Saturday) and dnd (Sunday). I also wanna watch something on shudder and prime, plus more Tales Of 85/Amazing Digital Circus (and I still need to watch more Heated Rivalry and The Beauty).

Friday should, hopefully, be the trip to the cinema for Backrooms. The listings aren’t live though so I dunno what the second film might be. I’ve pretty much given up on Passenger (from what I’ve seen it’s bad sadly) unless an afternoon showing is added. I might watch Mandalorian and Grogu again if nothing else. At least the cinema will be nice and cool!

Masters Of The Universe is getting two preview showing days next week (Wednesday and Thursday) so I might see it before the planned Friday I was aiming for, but we’ll see. I’m so hyped for it, it has such Guardians type vibes and yeah He Man is hot.

I also wanna try and write more but ugh, I’ve had such trouble for months ficcing.

My problem tends to be I’ll get an idea and a burst of creative energy, writing a decent chunk in one go (until I either get tired or something else comes up) and then I just… don’t go back to it. I just can’t seem to get back in the zone which is so frustrating and then the cycle repeats. I just wanna finish some of my WIPs, not constantly add to them but I just… can’t and it’s so incredibly frustrating.

Ugh.

Anyway I’m just gonna flop some more now and then wait on the food delivery.
cornerofmadness: (boys in blue)
the conference portion of the con is over and now it'll be two days of workshops which are always so invigorating. I almost wish this was the end of July/beginning of August so I could roll into the new semester all fired up.

We had the celebratory cocktails and it's usually appetizers but today it was make your own ramen bowl. Wow. (kimchi and spicy tofu were so in my bowl). Expecting not much, I had already ordered dinner from a BBQ joint (highly recced) it had a menu like none I've seen. So beef burnt ends and beef ribs with a pool of smoked beans it is. Delicious. I mean I don't usually eat meat but when I do go carnivore, it gets ridiculous.

Finally met my mentee who didn't much need me (as expected) as he's a retired family practice doc just moving into teaching. got a mug from holt anatomical. Didn't win a single door prize. Didn't murder any kids but the urge was there (they were screaming in the halls until 130 in the morning and several other Hapsters did complain. I had to turn them in when I went to heat up my lunch. they had trashed the microwave, food and wrappers all over the floor. You know, I've BEEN a kid at a hotel with school functions and I never did this

I did find a few things that no one but me will be interested in but I'm putting them here so I remember. A study contract for students (how long to study, what days, what's in their way), having them do a group eportfolio of their dissections, collaborative testing before exams to build confidence, using the guess who game to do histology quizzing (and others if you build it) and gee I've already forgot a few.


I watched a giant chunk of The Pitt (they had the whole season on) today. It is easily the most accurate medical drama I've ever seen and there was some real ptsd on a few of those scenes for me. Shudders. And then I saw The Bride (part of it) WTF was that? Easily the worst movie I have seen in years. Also thanks for the multiple sexual assault attempts in it.

dinner


new mug


It's music monday 30 weeks of music. This week's prompt is # 27 A song you discovered from a tv show. I'll show you mine if you show me yours.

There are SO many TV shows that introduced me to so much music )





here's the whole prompt list

All under here )

Seemed so sure.

May. 25th, 2026 09:31 pm[personal profile] hannah
hannah: (Zach and Claire - pickle_icons)
This afternoon, I heard a sound which captured my attention: a regularly occurring artificial squeak, unlike anything from a bird or a car engine. It was timed exactly to the countdown on the crosswalk, and I stood underneath it to try to parse if it was a new feature and hear it better close up.

Then a woman walked by me, her steps in time to the countdown, her shoes the cause of the sound.

I took it as a reminder to be attentive to things around me, to really open myself up and pay attention.

I was so wrapped up in that thought, I completely missed one of my parents' neighbors walking towards me until he said hello.

And thus, balance in the universe.
lucymonster: (horror)
American Psycho (2000): Christian Bale puts on a mesmerising performance as Patrick Bateman, a wealthy young investment banker who moonlights as a serial killer. Bateman is an empty shell of vapid, consumerist narcissism: he obsesses over his personal grooming routine, competes with other men his age on metrics too petty for the healthy human mind to grasp (there's a running bit about business cards, where the mere sight of a shade of off-white deemed more tasteful than his own is enough to send Bateman spiralling in panicked rage), admires himself in the mirror during sex, and romanticises his own dysfunction by inwardly preening over what an emotionless monster he is. He murders with abandon for no reason whatsoever. He is not a reliable narrator. It's a mindfuck, and a biting satire of American business culture, and an all-around rollicking good time.

I really cannot overexaggerate how good Bale's acting is in this. It's his speech pattern that gets me the most: he absolutely nails that weird cadence typical of a certain kind of insecure young man for whom everything is a performance, who is deeply invested in projecting power and status but has no deep-rooted sense of self to draw from and so has to rely on rote imitation of more charismatic speakers. Every word is too polished, too carefully modulated. It's an aural uncanny valley; before you even see him throw a single tantrum about the superior quality of another guy's card stock, just from hearing him speak, you know he's a fucking joke. That said, I understand this film belongs to the same canon as movies like Fight Club and Joker, where a certain (ahem) demographic of the audience has somehow managed to Matrix-dodge their way around the point and adopted the protagonist as an icon of masculinity. I wish that surprised me more, but the world is also full of fascists who unironically identify with Luke Skywalker, so. Some men have simply got their minds made up to be stupid, and no satirical arrow in the world is sharp enough to pierce their armour. Doesn't change the fact that this is a really good movie.

Rogue (2007): When I DNF'd Black Water a while ago, it was because THIS was the crocodile movie I actually wanted to watch and I didn't even know it! A bunch of tourists to the Northern Territory go on a wetland cruise, and their boat gets attacked by a freakishly large, even more freakishly aggressive saltie. They end up stranded on a mud island that's soon due to disappear under the rising tide, desperately trying to figure out a way back to dry land, getting picked off by the croc the whole time. It was epic. If you like straightforward, unpretentious creature horror, this film was it!
ffutures: (Default)
A big bundle of ready-made maps for fantasy RPGs from cartographer Dyson Logos, last offered in 2024

 https://bundleofholding.com/presents/2026Dyson

 

Last time I said "I don't really have any use for this sort of thing, but what I've seen looks pretty good, and they're designed to be easy to print and customize. If you use these games it's probably worth a look." I think this all still applies.

Technical Difficulties

May. 25th, 2026 11:05 am[personal profile] krait
krait: a sea snake (krait) swimming (Default)
I LIVE!!

I've been absent from DW (and most of the internet) for the last few weeks because my laptop screen went out, and I haven't been able to get it fixed.

It's still not fixed, but with the help of a HDMI cable and my television I can manage for a while; having nearly no internet was driving me crazy, though I did knock a lot of books off my to-read pile. Sure feels weird looking at such a large but faraway screen instead of right above my hands, though. :P

I'll try to catch up on three-plus weeks of flist posts, but if I've missed anything in particular please feel free to point me toward it.



Edit: Unable to log in to AO3?! This is not good. I'm not even sure what email address my AO3 account was set up with, and odds are good it's one that I no longer have access to (thank you, Google Mail, and your insistence on having my phone number which I am not going to give you). Oh, dear.

Chernobyl haibun

May. 25th, 2026 09:58 am[personal profile] mount_oregano
mount_oregano: Let me see (judgemental)



On April 26, 1986, the Chernobyl Nuclear Power Plant exploded, creating one of the
world’s worst nuclear accidents. A haibun is a Japanese poetic form that combines prose and haiku, usually describing an event or travel. This is a haibun about my guided tour in April 2006 of Chernobyl.

I visited Chernobyl, and I also visited the National Chornobyl Museum in Kyiv, which tells the heartbreaking story of what happened and holds irreplaceable artifacts. Over the weekend, Russia deliberately destroyed the museum.

***

A military checkpoint marks the entrance to the Exclusion Zone, the contaminated area roughly 30 kilometers around the Chernobyl Nuclear Power Plant. More than 100,000 people were evacuated within days of its explosion and meltdown in April 1986. At the Chernobyl Interinform Agency, in a room filled with maps, we met our tour guide, Yuriy, who cheerfully answered our questions in Ukrainian and English. Then we reboarded our bus to head toward the areas marked in red on the maps.

his pocket dosimeter

ticking ever faster

our guide keeps smiling

As we approached the nuclear power plant complex, we passed the rusting cranes and beams of buildings whose construction had been halted overnight. But there is a new building.

Visitor Center —

women plant tulips

wearing face masks

The cesium and plutonium that spewed out during the disaster washed into the soil, so digging requires precautions. Plants pull radioactivity back up through their roots, as a Geiger counter set on the pavement and then on the lawn can prove.

keep off the grass:

twice the dose

as asphalt

We moved on to Pripyat, a city built for the power plant’s workers and families. Its 50,000 inhabitants were told they were only leaving for three days, although authorities knew it would be effectively forever: the radiation will subside to livable levels in one thousand years.

busy ants —

do they notice?

the city is empty

It was a model Soviet city, with lovely tree-lined boulevards and many amenities. Its designer even had one rose bush planted for every inhabitant.

among the weeds

still a few

roses

We visited on the day after Palm Sunday. With no palm trees in Ukraine, the faithful gather willow buds and bring them to churches to be blessed. Willows were growing in Pripyat.

pussy willows

nine hundred eighty more

quiet springs

The tour company owner, Alexander Sirota, had been a boy in Pripyat when the disaster happened, a third-grade student at School No. 1. It was partially collapsed, spilling books, furniture, and students’ possessions across the cracked and mossy sidewalk.

a string of beads

on the ground: everyone looks

no one touches

We got back on the bus and passed through the “Red Forest.” These were pine trees growing next to the power plant that were directly under the path of the worst fallout. The pine needles turned red overnight; the trees died, were cut down and buried where they had grown.

Red Forest

dust to dust — only

Geiger counters wail

Our guide pointed out a tall metal grid: the early warning radar screen for Chernobyl II, a supposedly top secret nuclear missile site close to the power plant. An American spy satellite passed over the area 28 seconds after the explosion, and US analysts, who knew about the site, thought a missile had been fired and considered a nuclear strike in retaliation. Then they thought a missile had exploded in its silo because it didn’t move. Finally they realized it was the nuclear power plant exploding.

Chernobyl II

the bigger danger next door:

who knew?

And so we left, with one final stop at a Ukraine Army checkpoint to test our radioactivity. We all passed. Our irradiation during the seven-hour visit had been slight. No tee-shirts, no souvenirs.

like a small x-ray

but with nothing

to show for it


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